legionbox的简单介绍

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目录： 1、帮我找点歌 2、50的英语是什么？ 3、charicharpin 4、Blind box 5、我想找一篇关于罗伯特德尼罗的英文文章，主要是对他的介绍，影片的介绍，和作者能够表达自己对他的热爱。 帮我找点歌

亚瑟小子yeah

candee非主流

Rhythm Of The Rain (绿箭香口胶广告歌曲)

Pretty Boy

The Day You Went Away

RIGHT HERE WAITING（此情可待）

Sailing（航行）

nocturne

winter in my heart

tonya mitchell的stay

cecil jonni lauro《buckle up ’n’ chuggeluck》

毕业生

斯卡布罗集市

卡萨布兰卡

加州旅馆

it's my life

welcome to my life

complicated

Bye Bye Bye

daniel powter-Bad Day

Green Day-Holiday

Green Day-Boulevard of Broken Dreams

Bodies Without Organs-Sunshine In The Rain

Take that-Patience

Westlife-Uptown Girl

Simple Plan-Your Love Is A Lie

Simple Plan-Welcome To My Life

Simple Plan-When I'm Gone

Mika-Grace Kelly

Eminem-Stan(Feat. Dido)

roxette-june afternoon

fool's garden-lemon tree

blue-one love

coldplay-viva la vida

推荐几个 我觉得差不多的 试试看吧

The Veronicas - Untouched 这歌我很是喜欢啊，哈哈

ATC - My heart beats like a drum

Cecil Jonni Lauro - Buckle Up n Chuggeluck

Cascada - Everytime we touch

Cascada - Ready for love

The Legion of Doom - At your funeral for a friend 我喜欢

Solex - Close to the edge

Trust Company - Take it all 摇滚的，怎么样，还能接受吗

Nightwish - Nemo

Nightwish - She is my sin

Lunaman - Lunagirl

Gigi D'Agostino - The riddle

Jimmy Eat World - Bleed American 也是摇滚

先这样，在搜狗基本都有试听下载，希望有合你意的吧。

(1) Because of you - Kelly Clarkson

(2) Just one last dance - Sarah Connor

(3) i dont want to fall in love - tonya mitchell

(4) Stay - Tonya Mitchell

(5) when you told me you loved me - jessica simpson

(6) Hey my friend - Tommy heavenly

(7) Better In Time - Leona Lewis

( it's not goodbye - laura pausin

(9) burning - Maria Arredondo

(10) i remember - keyshia cole

(11) I Think Of You - Tata Young

(12) It's OK - Atomic Kitten

(13) We Are One - Kelly Sweet

(14) I Will Be - Avril Lavigne

(15) The New Diana - Black Box Recorder

1. don't cry--guns n' roses我所认真听完的第一首摇滚,这首歌曾唱哭了千万人。总是能够触痛了心底最软的地方，心抽痛着,眼圈红了，却没有眼泪渗出，每多听一次就多一次的依恋...

2. fade to black--metallic金属乐队也有很经典歌曲,我相信国内有好多都是听了这首歌的前奏才去学吉他的!METALLICA经典中的经典,也是METALLICA饱受争议的作品,因为当时有乐迷自杀就是出于这首歌，胆小别听哦~

3. dreaming my dream--cranberries有着王菲一样变幻倚俪的唱腔，高雅离开了原本浩渺的苍穹来到人间，它带着冷漠的美艳，但又说着人身上的变动和永恒，爱尔兰的卡百利乐队就这样汲取了精灵与传说的浩渺气质，沟通了人间和天空的美，把人的故事，爱情，历史，死亡，社会都融进那飘忽而真切的女声中...（卡百利，本是蔓声浆果的藤蔓）

4. dying in the sun--cranberries不断地重复着放这首歌,简短迂回的旋律,简短迂回的歌词。我就平躺在这样的歌里,晕乎乎的,渴望在阳光下睡死...

5. never grow old--cranberries 最近常听朋友们说时间过得好快~! 感觉自己在一天一天的虚度光阴! 不由得想起了这支歌~!

6. far away from home--groove coverage德国新晋乐队,这首歌已被众多知名DJ誉为当今舞曲最为精华的传世之作，听了不下几百遍了，旋律好的很，女声好的很...

7. knocking on heaven's door--guns n' roses(“野蛮师姐”主题曲)艾薇儿翻唱的和枪花版的都给人一种爽歪的感觉，当然女生版的更加恬静，睡觉之前我都要听的。

8. imagine--john lennon约翰列侬是全世界最成功的摇滚乐队“甲壳虫”（beatles）的灵魂人物，死于1980年12月8日，是被一名狂热的歌迷开枪打死的，他的死震惊了世界，他在六十年代吸毒，目无宗教和go-vern-ment，在七十年代致力研究东方宗教和宣扬童话般的爱（有一颗小星星是以他的名字命名的），这声音听来象预言者的祈祷，而歌词依然是固执的理想，或许列侬所要求的泰国绝对，太过纯洁，但作为梦，难道你我就不曾有过吗？

9. yesterday--beatles这么经典的还说什么呢，电台点播率已经超过一亿次了，没听过的太逊了。

10. let it be--beatles昔日创下了榜史纪录,也是Beatles解散时成员们的心态写照。有时候生命的意义在于过程,至于结果就让它Let it be...

11. it's my life--bon jovi我比较早喜欢的一首歌..曾用来做CS的MTV背景音乐。

12. that's why(you go away)--meachael learns to rock半路在一家美发店的门前听到了that's why(you go away)的钢琴版!!! 感觉很好,这样听起来That's why就更经典了! （放的声音越大越有感觉哦）

13. you can't say(韩剧"爱上女主播"主题曲)相信大家对这首歌不会感到陌生了哦!!!我是不会歌词的，但每旋律一起就能体会其中的柔情...

14. yesterday yes a day 温柔醇厚的声音,静静地用心体会,很舒服的21岁的挪威女孩marlin,自己写歌自己唱,一首充满浪漫气息的法国歌曲,就像爱人在你耳 边轻轻呢喃,超好听的...

15. heal the world--meachael kjackson他是疯狂热爱和不羁职责的承受者，年轻的巨富，心理怪异而各声纯洁的奇人，他富于创造，不向任何一个流派靠拢，虽然,杰克逊现在的形象不好,但他曾经为世界的慈善事业作了很大的贡献,这首歌也正是他心意的表现吧...最起码他在音乐方面的高度是谁都无法否认的。

16. the girl is mine--meachael jackson.纯洁的仿佛童话，干净的让人不敢呼吸...

17. delicious way--仓木麻衣。我本人也十分仇恨日本人的，但是听到这么纯洁的歌曲感觉到音乐真的是没有国界的哎~~

18. under the sea小美人鱼(the little mermaid)插曲,可总感觉张邵晗唱的更有活力。再听听原唱的，就知道东西方文化的差异在哪里了。

19. fighter--Christina 厚重有力的嗓音穿透着我的耳膜,装饰着闪亮碎钻的眼眸冲击着我的视网膜...希望有一天,我能够成为那个fighter... 蛮有爆发力的一首歌。

20. without you--mariah carey我喜欢的歌星！因为她在唱功方面显得极为细腻,而且她的声线真的是性感迷人而且非常有爆发力和感染力...~~这是高音上唯一可与i will always love you媲美的歌，下面还有一首两人合唱的，绝对体现唱功哦~~

21. when you believe--mariah carey n' whitney houston不多说了，任何人都唱不成这样的。

22. Crying in the Rain大概算的上是欧美最具生命力的情歌之一了，这首出自民谣女歌手Carole King的作品对原来舒缓深情的作品来了一次颠覆性的改造...

23. never say goodbye--Hayley Westenra充满曼陀铃和竖琴声音的歌曲当中透显出一个宁静而美丽的少女形象，歌曲是从爱尔兰传统歌曲中改编过来，Hayley Westenra的声音如同丝线一般，在演唱技巧上更已达到完美的境地，而嗓音天生的优美更是让人不得不赞叹和艳羡。

24. Sugar Ray's Someday。Sugar Ray（据说应该翻译作“拔丝”乐队-_-bbb），他们的音乐风格用一个字就可以形容——Summer，他们只在夏天出片，歌儿一听就让人想起夏天——总是阳光明媚、活泼愉快。与此相反的，他们的歌词却是比较深的，那个身上有着13个纹身、英俊得完全不像个rock band主唱的Mark McGrath经常用很夸张的肢体语言在MTV中摇摆，加上十分十分正宗的传统摇滚式配器，恐怕在今天活着的乐队中找不出第二个这样的band。

25. Iris-- Goo Goo Dolls清脆急促的吉他solo，John Rzeznik饱含沧桑的低沉嗓音，对世事、爱情满腹的疑问，后面的爆发，“And I don't want the world to see me, 'Cause I don't think that they'd understand. When everything's made to be broken, I just want you to know who I am!” 这是有着无穷韵味的箴言。

26. Mystical Machine Gun--Kula Shaker比较难得的是，Kula Shaker的音乐受了很多东方思想的影响，这一点同时表现在歌词、音乐和配器之中。乐队唯一真正意义上的专辑就是《Peasants, Pigs Astronauts》专辑干净的声音，迷幻的吉他，如印度梵音般的和声，充满现场感的录音，总之在当时背景下，属于绝对的异类。

27. Elemental--tears for fears.其实只是主唱oland Orzab一个人而已，整张专辑所有词曲、每一轨录音（器乐、主唱、和声）全部出自这家伙一人之手（口），真是吓了一跳（原来世界上真的有全才啊）！

28. gone away--the off spring是一个比较有争议的乐队。跟99%的美国摇滚乐队一样，也是来自学校同学的组合，经过很长时间的地下活动，终于走到地上，给人留下最深刻印象就是主唱Bryan Holland的十分金属化的硬朗狂放的唱腔,歌词有着对世事无情的玩弄和嘲讽。 29. A Question Of Lust--peche Mode很容易和“冷”这个字联系起来，冷冰冰的纯电子音乐，冷冷的唱腔，冷僻的歌词，似乎特别适合目前这个季节来听...

30. this is how we do it蛮欢快的一首现代英文混音dj舞曲，偶个人比较喜欢。

31. boom boom boom各位爱跳舞的朋友，这就是你们的音乐，做为音乐和舞蹈的信徒，你们起床要放的音乐。

32. Earth song--meachael jackson请保护大自然!~ 崇高的敬意!~ 看过mv后真的感觉心里堵堵的...

33. everybody dance now相信看过韩国综艺节目情书的朋友不会陌生吧~里面好多背景音乐就是用的这个，尤其是uncle shin的抖动dance甩你的双手，很简单的一个步骤，音乐炸进你的头，活着就要开心些嘛！！！顺便说一下， 我超级喜欢那个张英兰~~~~

34. the day you went away--M2M是当之无愧的小甜甜咯，相信谁都不会忍心伤害这样的女生，不过歌词有点伤感，我们从来都不知道珍惜所拥有的直到永远的失去它,将如何承受这种痛苦,现在，我不得不说，我是真的真的失去了你...

35. when you say nothing at all--Krauss多次被评为世界最美的女声,坐拥11座格莱美奖,被无数人翻唱过... 男孩地带的也同样也是不可错过的哦！

36. hero--enrique iglesias出生在马德里,有着西班牙人独有的深邃的双眸,冷峻而又性感的脸庞,富有磁性的嗓音,再加上他那令人神魂颠倒的外表...

37. god is a girl--groove coverage从个人角度看sweetbox和groove coverage是给我印象最深的两个女唱乐队，下面还有几首歌都是她们的，很喜欢女主唱有些慵懒而很清脆的声音,他们的风格...喜欢听这种节奏感强，比较热闹的歌曲。觉得这个乐队的风格还是挺新鲜的，也比较大众化，应该会有不少朋友会喜欢，因为大众不等于庸俗。

38. she--groove coverage

39. can't get over you--groove coverage

40. 7 years and 50 days--groove coverage

41. encore une fois--helene segara一首抒情法语歌,哀而充满无奈的歌,你能体会到它的忧伤,也许有一天 我会离开你,途跋涉寻找真的自己也许有一天...也许有一天...

42. je m appelle helene--helene rolls听了首法语歌后觉得法语太美了,让人感觉说法语的人嘴上摸了奶油,...于记忆深处,要我找到简单的爱情,于我的爱情,歌词中有着淡淡的伤感...

43. here i am--bryan adams那是布赖恩亚当斯的作品,我想大家应该都听过他那首绝对经典的歌“( Everything I Do )吧，这个帅帅的沧桑男人的声音是谁都无法抗拒的哦。

44. Everything i do--bryan adams不多说了，绝对经典中的经典。

45. all that you can't leave behind--毫无疑问,U2是80年代英国最受欢迎的摇滚乐团,不过我个人只喜欢这一首，具体也说不出为什么，可能感觉声音和旋律搭配的很棒吧~~

46. big big world--Emilia看上去是一个爱整洁的乖女孩,尤其在唱“Big,Big World”这样的慢歌时,她显得十分纯情而古典。目前Emilia的唱片在瑞典已卖过了3白金的数量。而首支单曲“Big,BigWorld”则成为了瑞典历史上流行速度最快的一支...

47. right here waiting--rachard max这是一首很经典的老歌,歌唱了刻骨铭心的爱情... 这是我曾经最爱的一首老歌,相信每个人也都听过无数遍,但依然是...

48. stay--williams（野蛮师姐主题曲）特别特别特别的欢快，每次不知道为了什么一心烦就不由自主想听这首歌,连我们宿舍一个平时不怎么愿意听歌的哥们也喜欢上了这首...

49. live forever--Oasis 是近十年来英国最受欢迎和最受评论家承认的乐队之一;live forever是我朋友推荐给我的，听过后感觉真的很不错呢...

50. life for rent--dido清爽的时节,清爽的女孩儿,清爽的音乐。Life for rent，把整个生命都出租出去，不属于任何人，无根地飘荡，听起来有一些伤感。

50的英语是什么？

50的英语：fifty

词语分析：

音标：　英 ['fɪfti] 　 　 美 ['fɪfti]

释义：

num. (数词)

五十

adj. (形容词)

五十的

五十个的

许多的

n. (名词)

五十年代

五十

短语：

fifty pence 五十便士

fifty cents 五十美分

go fifty-fifty 平分, 分摊

fifty fifty 平分

fifty-move rule 五十着规则

例句：

He fathered a daughter at the age of fifty.

他五十岁时生下一个女儿。

Black smog reduced visibility to about fifty yards.

黑色的烟雾使能见度降到大约五十码左右。

The box weights fifty kilograms net.

     这箱子净重50公斤。charicharpin

Charles Chaplin made Limelight at the most troubled period of his adult career. In the late 1940s, America¹s Cold War paranoia reached its peak, and Chaplin, as a foreigner with liberal and humanist sympathies, was a prime target for political witch-hunters. It did not help that he had recently been cited in an unseemly paternity suit. Pilloried as he was by the right-wing press and reactionary institutions like the American Legion, it seemed that America had turned against the man it had once idolised.

In this atmosphere, his 1947 film, Monsieur Verdoux, with its sardonic view of war, was attacked as being anti-American. Not surprisingly, then, in choosing his next subject he deliberately sought escape from disagreeable contemporary reality. He found it in bitter-sweet nostalgia for the world of his youth - the world of the London music halls at the opening of the 20th century, where he had first discovered his genius as an entertainer.

His story concerns a once-famous comedian who has lost the ability to command his audience. Chaplin said that he based the character on real-life stage personalities whom he had seen lose their gifts and their public - the American black-face comedian Frank Tinney (1878-1940) and the Spanish clown Marceline (1873-1927) with whom he had himself worked as a boy. Clearly he was also thinking of his own present bitter experience of a faithless public.

Chaplin spent more than two years writing Limelight. His method was remarkable, and unique in his work. As a preliminary, he wrote the story in the form of a full-length novel - some 100,000 words long and entitled "Footlights". The novel - never published or apparently even intended for publication - relates the story as it appears in the finished film, but in addition includes two separate biographies of Calvero and Terry, detailing their lives before the action of the film proper begins.

What makes these biographies so remarkable is that we can trace in them a great deal of extended autobiography, as Chaplin quite openly introduces episodes from his own life and those of his parents. Just like Chaplin¹s own father, Calvero is devastated when he discovers his wife¹s infidelity and drifts into alcoholism. In the novel, Calvero even dies in the same hospital - St Thomas’ on the banks of the Thames - where Charles Chaplin Senior died in 1901 at the age of only 37.

The character of Terry, the young dancer, was equally clearly based on Chaplin’s mother, Hannah, though with reminiscences too of Chaplin’s first and never forgotten love, Hetty Kelly.

Claire Bloom, who plays Terry, remembered that in rehearsing her, Chaplin was always recalling gestures of his mother or Hetty, and the clothes they wore. With this strong underlay of nostalgia, Chaplin was at pains to evoke as accurately as possible the London he remembered from half a century before. In this he was helped by the great Russian-born designer, Eugene Lourié, who remodelled a set on the Paramount lot to look like a Victorian London street. A permanent setting of a theatre at RKO-Pathe was decorated to look like the Empire Theatre, London’s grandest music hall.

For the climactic scene Chaplin planned a ballet, in which Claire Bloom - not a dancer herself - was doubled by Melissa Hayden, a star of the New York City Ballet. Since the coming of sound films, Chaplin had always composed his own music scores, with the assistance of arrangers. Exceptionally, the music for the ballet - 25 minutes, though it was reduced in the final film - had to be composed in advance. Chaplin was relieved when Melissa Hayden and her partner and fellow star André Eglevsky assured him that the music was suitable for choreography. The "Limelight theme" was to remain one of Chaplin’s best-loved compositions; and in 1972, twenty years after the film’s first release, he and his musical collaborators Ray Rasch and Larry Russell were awarded a belated Oscar for "Best Original Dramatic Score".

The beautiful, 20-year-old English stage actress Claire Bloom was chosen to play Terry after much soul-searching; and Chaplin’s son Sydney was given the secondary male role. Perhaps it was a comfort in these difficult days - and an element of the nostalgia - to have his family around him: four other children and his half-brother Wheeler Dryden also played in the film, and even his young wife Oona doubled for Claire Bloom in two brief shots. Though Chaplin’s public life was beset by problems, the shooting of Limelight at least was trouble-free and completed in 55 shooting days an exceptional standard of economy for Chaplin’s feature productions. The premiere was, appropriately, held in London on 16 October 1952. In Chaplin¹s absence, open official hostility in America escalated to a point where he decided not to return to "that unhappy country". Thereafter he made his permanent residence in Europe. At that moment Chaplin believed that Limelight would be his last film. It was not: but if it had proved so, this exercise in nostalgia and family autobiography would have been a fitting conclusion to his career.

Early years

Charles Spencer Chaplin was born in London, England, on April 16th 1889. His father was a versatile vocalist and actor; and his mother, known under the stage name of Lily Harley, was an attractive actress and singer, who gained a reputation for her work in the light opera field. Charlie was thrown on his own resources before he reached the age of ten as the early death of his father and the subsequent illness of his mother made it necessary for Charlie and his brother, Sydney, to fend for themselves. Having inherited natural talents from their parents, the youngsters took to the stage as the best opportunity for a career. Charlie made his professional debut as a member of a juvenile group called "The Eight Lancashire Lads" and rapidly won popular favour as an outstanding tap dancer.

Beginning of his career

When he was about fourteen, he got his first chance to act in a legitimate stage show, and appeared as "Billy" the page boy, in support of William Gillette in "Sherlock Holmes". At the close of this engagement, Charlie started a career as a comedian in vaudeville, which eventually took him to the United States in 1910 as a featured player with the Fred Karno Repertoire Company. He scored an immediate hit with American audiences, particularly with his characterization in a sketch entitled "A Night in an English Music Hall". When the Fred Karno troupe returned to the United States in the fall of 1912 for a repeat tour, Chaplin was offered a motion picture contract. He finally agreed to appear before the cameras at the expiration of his vaudeville commitments in November 1913; and his entrance in the cinema world took place that month when he joined Mack Sennett and the Keystone Film Company. His initial salary was $150 a week, but his overnight success on the screen spurred other producers to start negotiations for his services. At the completion of his Sennett contract, Chaplin moved on to the Essanay Company (1915) at a large increase. Sydney Chaplin had then arrived from England, and took his brother’s place with Keystone as their leading comedian.

The following year Charlie was even more in demand and signed with the Mutual Film Corporation for a much larger sum to make 12 two-reel comedies. These include "The Floorwalker", "The Fireman", "The Vagabond", "One A.M." (a production in which he was the only character for the entire two reels with the exception of the entrance of a cab driver in the opening scene), "The Count", "The Pawnshop", "Behind the Screen", "The Rink", "Easy Street" (heralded as his greatest production up to that time), "The Cure", "The Immigrant" and "The Adventurer".

Gaining independence

When his contract with Mutual expired in 1917, Chaplin decided to become an independent producer in a desire for more freedom and greater leisure in making his movies. To that end, he busied himself with the construction of his own studios. This plant was situated in the heart of the residential section of Hollywood at La Brea Avenue. Early in 1918, Chaplin entered into an agreement with First National Exhibitors’ Circuit, a new organization specially formed to exploit his pictures. His first film under this new deal was "A Dog’s Life". After this production, he turned his attention to a national tour on behalf of the war effort, following which he made a film the US government used to popularize the Liberty Loan drive: "The Bond". His next commercial venture was the production of a comedy dealing with the war. "Shoulder Arms", released in 1918 at a most opportune time, proved a veritable mirthquake at the box office and added enormously to Chaplin’s popularity. This he followed with "Sunnyside" and "A Day’s Pleasure", both released in 1919.

In April of that year, Chaplin joined with Mary Pickford, Douglas Fairbanks and D.W. Griffith to found the United Artists Corporation. B.B. Hampton, in his "History of the Movies" says: "The corporation was organized as a distributor, each of the artists retaining entire control of his or her respective producing activities, delivering to United Artists the completed pictures for distribution on the same general plan they would have followed with a distributing organization which they did not own. The stock of United Artists was divided equally among the founders. This arrangement introduced a new method into the industry. Heretofore, producers and distributors had been the employers, paying salaries and sometimes a share of the profits to the stars. Under the United Artists system, the stars became their own employers. They had to do their own financing, but they received the producer profits that had formerly gone to their employers and each received his share of the profits of the distributing organization."

The Masterpiece Features

However, before he could assume his responsibilities with United Artists, Chaplin had to complete his contract with First National. So early in 1921, he came out with a six-reel masterpiece, "The Kid", in which he introduced to the screen one of the greatest child actors the world has ever known - Jackie Coogan. The next year, he produced "The Idle Class", in which he portrayed a dual character. Then, feeling the need of a complete rest from his motion picture activities, Chaplin sailed for Europe in September 1921. London, Paris, Berlin and other capitals on the continent gave him tumultuous receptions. After an extended vacation, Chaplin returned to Hollywood to resume his picture work and start his active association with United Artists.

Under his arrangement with U.A., Chaplin made eight pictures, each of feature length, in the following order: "Woman Of Paris" (1923) which he wrote, directed and produced, but in which he only appeared in a cameo role and gave the limelight to Edna Purviance and Adolphe Menjou; "Gold Rush" (1925); "Circus" (1928); "City Lights" (1931); "Modern Times" (1936); "The Great Dictator" (1940), in which he played a dual role and talked on the screen for the first time; "Monsieur Verdoux" (1947) in which the public saw a new Chaplin, minus his traditional moustache, baggy trousers and wobbly cane; and "Limelight" (1952) . In 1957, he released his comedy "A King in New York" which Chaplin wrote, acted in and directed, as well as composing the music, and in 1966 he produced his last picture "A Countess from Hong Kong" for Universal Pictures, starring Sophia Loren and Marlon Brando.

Last Years

Chaplin’s versatility extended to writing, music and sports. He was the author of at least four books, "My Trip Abroad", "A Comedian Sees the World", "My Autobiography", "My Life in Pictures" as well as all of his scripts. An accomplished musician, though self-taught, he played a variety of instruments with equal skill and facility (playing violin and cello left-handed). He was also a composer, having written and published many songs, among them: "Sing a Song"; "With You Dear in Bombay"; and "There’s Always One You Can’t Forget", "Smile", "Eternally", "You are My Song", as well as the soundtracks for all his films.

Charles Chaplin was one of the rare comedians who not only financed and produced all his films (with the exception of "A Countess from Hong Kong"), but was the author, actor, director and soundtrack composer of them as well.

He died on Christmas day 1977, survived by eight children from his last marriage with Oona O’Neill, and one son from his short marriage to Lita Grey

Blind box

'Blind box' craze grips China's youth and mints toymakers a fortune

盲盒热潮：牢牢抓住中国年轻群体，让玩具制造商赚得盆满钵满

Tiny unicorns and cartoon girls in clown costumes line the shelves of Wang Zhaoxue's study in Beijing — tokens of China's mania for "blind boxes" that have made fortunes for toymakers and even caught the attention of those in power.

在王昭雪（音）位于北京的书房里，展示架上摆着一排排小独角兽和身穿小丑服装的卡通女孩——这是当下中国“盲盒热”的缩影。“盲盒热”给玩具制造商带来了巨大的财富，甚至受到了政府的关注。

The 18-year-old music student is one of the legions of young Chinese hooked on snaffling up the toys to complete whole "ranges" through endless purchases.

中国有大批年轻人都痴迷于抢购各种玩具，并为了集齐整个“系列”而不停地购买，那位学习音乐的 18 岁女生王昭雪就是其中的一员。

The blind box market was worth 7.4 billion yuan ($1.14 billion) in 2019, according to market research firm Qianzhan Intelligence, which added that could soar to 30 billion yuan by 2024.

市场研究机构前瞻产业研究院的数据显示，2019 年，中国盲盒行业市场规模达 74 亿元人民币（约 11.4 亿美元）；报告还显示，到 2024 年预计将飙升至 300 亿元人民币。

The craze has not escaped criticism, with state media earlier this year comparing the trend to gambling and warning that the products bred addiction.

“盲盒热”并没有逃过批评的声音。今年早些时候，官媒曾把“盲盒热”与赌博相提并论，并警告称盲盒会让人上瘾。

In a commentary in January, Xinhua called for more regulation of the sector and said the boxes should not be sold "blindly" to consumers, accusing some brands of "persuading consumers to keep buying and even hyping up a speculative second-hand market".

在一月份的评论文章中，新华社呼吁对该行业加强监管，并表示“盲”盒不能“瞎”卖，指责某些品牌“诱导消费者一直买下去，甚至炒作投机二手交易市场”。

"One of the reasons behind the success of blind boxes is that they divide their products into different categories of rarity," Steffi Noel, a consumer analyst told AFP. "They set a barrier, expressing the idea that not everyone can get the most special boxes. It generates a sense of competition."

消费分析师施特菲·诺埃尔（音）告诉法新社：“盲盒成功背后的一大原因是，商家把盲盒分门别类成不同的稀有程度。他们设置了一道屏障，释放了不是每个人都能得到最特别的盲盒的概念，这就产生了一种竞争意识。”

主编：木子

品控：木子

审核：桃子

Photo credit:

WANG ZHAO / AFP

China Daily

Photo by Chen Yuyu / For China Daily

重点词汇

craze

/kreɪz/

n. 疯狂，狂热；风行一时的东西

相关词汇：crazy（adj. 疯狂的，狂热的）

例句：She started a craze for the little black dress.

搭配短语：the fitness craze

搭配短语：the jogging craze

grip

/ɡrɪp/

v. 使入迷，吸引……的注意力；紧握，紧抓

词义辨析：grip, grasp, grab

grab 表示粗暴而急迫地抓住，比如 I grabbed a cake from the plate.（我从盘子中抓过一块蛋糕）。而 grasp 和 grip 意思相近，但 grip 抓的力气更大，强调用手的最大力量紧紧抓住，词典的英文释义中也有体现——grip 的意思是 to grasp tightly，抓得更紧、语气也更强。

英文释义：to hold someone's attention and interest

搭配短语：It's a story that really grips you.（吸引……的注意力）

mint

/mɪnt/

v. 铸造（硬币）

词性拓展：mint（n. 薄荷；铸币厂）

口语表达：a mint（一大笔钱）

例句：A friend of mine made a mint on the stock market last year.

line

/laɪn/

v. 沿着……形成一排

例句：Crowds of people lined the streets to watch the race.

token

/ˈtoʊ.kən/

n. 象征，标志；代币；礼券，代金券

搭配短语：token coin（代币）

搭配短语：a token of one's gratitude or appreciation（象征）

mania

/ˈmeɪ.ni.ə/

n. 狂热，痴迷

近义词：craze

搭配短语：fitness mania

legion

/ˈliː.dʒən/

n. 众多，大量（人或物）；军团

英文释义：a large number of people or things

搭配短语：a legion of stories about six lovely friends

词性拓展：legion（adj. 众多的，大批的）

例句：His fans are legion.

(be) hooked on

对……上瘾，对……着迷

相关词汇：hook（n. 钩子；吸引人的东西；v.（用钩子）钩住；吸引）

搭配短语：a fish hook（钩子）

搭配短语：a coat hook（钩子）

例句：Companies are looking for a sales hook.（吸引人的东西）

例句：What's the best way to hook customers? （吸引）

例句：She's really hooked on gardening.

snaffle up

贪婪地抓住

相关词汇：snaffle（v.（尤指抢先）攫取，抓取（某物））

近义词：grab

例句：I managed to snaffle a couple of biscuits.

英文释义：to take possession of sth. for oneself very eagerly and greedily

soar

/sɔːr/

v. 猛增，骤升

英文释义：to increase quickly to a high level

breed

/briːd/

v. 招致，滋生；（动物）交配繁殖

英文释义：to produce or lead to something, typically over a period of time

例句：Poor living conditions breed violence and despair.

搭配短语：born and bred（土生土长）

例句：Well, she was born and bred in Fujian province.

commentary

/ˈkɑː.mən.ter.i/

n. 评论文；（广播或电视所播事件的）解说，实况报道

相关词汇：comment（n. 评论）

词根词缀：-ary（表示“与……有关”，用于构成形容词和名词）

call for

公开提倡，呼吁

英文释义：to say publicly that something must happen

regulation

/ˌreɡ.jəˈleɪ.ʃən/

n. 规章，规则

搭配短语：to comply with the regulations

搭配短语：rules and regulations

sector

/ˈsek.tɚ/

n. 领域，行业

hype up

大肆宣传，炒作

相关词汇：hype（n. v. 大肆宣传，炒作）

搭配短语：media hype

例句：The director is just using the controversy to hype his new movie.

speculative

/ˈspek.jə.lə.t̬ɪv/

adj. 投机的

英文释义：done in the hope of making a profit but involving the risk of losing money

rarity

/ˈrer.ə.t̬i/

n. 稀有，罕见；罕见的东西

相关词汇：rare（adj. 稀少的，罕见的）

例句：The value of antiques will depend on their condition and rarity.

我想找一篇关于罗伯特德尼罗的英文文章，主要是对他的介绍，影片的介绍，和作者能够表达自己对他的热爱。

自己去维基百科英文找

Robert Mario[citation needed] De Niro, Jr. (born August 17, 1943) is an American actor, director, and producer.

Robert De Niro is well known for portrayals of conflicted, troubled characters and for his enduring collaboration with director Martin Scorsese. De Niro gained critical acclaim in the early 1970s, culminating in his first Academy Award as best Supporting Actor for The Godfather Part II (1974), followed by a Best Actor Academy Award win for Raging Bull (1980). His film roles include the young Vito Corleone in The Godfather Part II, cabbie Travis Bickle in Taxi Driver, soldier Michael Vronsky in The Deer Hunter, boxer Jake LaMotta in Raging Bull, mobster David Aarenson Once Upon A Time in America, plumber/terrorist Harry Tuttle in Brazil, mobster Jimmy Conway in Goodfellas, Al Capone in The Untouchables, Louis Gara in Jackie Brown, Jack Byrnes in Meet the Parents and Meet the Fockers, Max Cady in Cape Fear, Cop. Moe Tilden in Cop Land, Neil McCauley in Heat and Sam Rothstein in Casino.

Early life

Robert De Niro was born in New York City, New York, the son of Virginia Admiral, a painter, and Robert De Niro, Sr., an abstract expressionist painter and sculptor.[1] De Niro's father was of Italian and Irish descent, and his mother was of German, French, and Dutch descent. His Italian great-grandparents, Giovanni De Niro and Angelina Mercurio, immigrated from Ferrazzano, in the province of Campobasso, Molise,[2] and his paternal grandmother, Helen O' Reilly, was the granddaughter of Edward O'Reilly, an immigrant from Ireland.[3]

De Niro's parents, who had met at the painting classes of Hans Hofmann in Provincetown, Massachusetts, divorced when he was two years old. De Niro grew up in the Little Italy area of Manhattan. He was raised in New York's Greenwich Village by his mother. Nicknamed "Bobby Milk" for his pallor, the youthful De Niro joined a Little Italy street gang, but the direction of his future had already been determined by his stage debut at age ten playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro first attended the Little Red School House and was then enrolled by his mother at the Fiorello H. LaGuardia High School of Music and Art in New York, a division of which (officially named The School of Performing Arts: A Division of the Fiorello H. La Guardia High School of Music and the Arts) was attended by fellow Godfather II actor Al Pacino. De Niro attended the Stella Adler Conservatory as well as Lee Strasberg's Actor's Studio, and used his membership there mostly as a professional advantage. He is considered, by many fans and critics alike, to be one of the greatest film actors of all time.

[edit] Early film career

De Niro's first film role in collaboration with Brian De Palma was in 1963 at the age of 20, when he appeared in The Wedding Party; however, the film was not released until 1969. He spent much of the 1960s working in theater workshops and off-Broadway productions. He was an extra in the French film Three Rooms in Manhattan (1965) and made his official film debut after he reunited with De Palma in Greetings (1968). He later reprised his Greetings role in Hi, Mom (1970).

De Niro on the set of Raging Bull with Jake LaMottaHe gained popular attention with his role as a dying Major League baseball player in Bang the Drum Slowly (1973). The same year, he began his fruitful collaboration with Scorsese when he played a memorable role as the smalltime hood "Johnny Boy" alongside Harvey Keitel's "Charlie" in Mean Streets (1973). In 1974, De Niro played a pivotal role in Francis Coppola's The Godfather, Part II, playing young Don Vito Corleone, having previously auditioned for the roles of Sonny Corleone, Michael Corleone, Carlo Rizzi and Paulie Gatto in The Godfather. His performance earned him his first Academy Award, for Best Supporting Actor, although Coppola accepted the award, as De Niro was not present at the Oscar ceremony. He became the first actor to win an Academy Award speaking mainly a foreign language, in this case, multiple Sicilian dialects (although he delivered a few lines in English). De Niro and Marlon Brando, who played the older Vito Corleone in the first film, are the only actors to have won leading-role Oscars portraying the same fictional character.

After working with Scorsese in Mean Streets, he had a very successful working relationship with the director in films such as Taxi Driver (1976), New York, New York (1977), Raging Bull (1980), The King of Comedy (1983), Goodfellas (1990), Cape Fear (1991), and Casino (1995). They also acted together in Guilty by Suspicion and provided their voices for the animated feature Shark Tale.

In many of his films, De Niro has played likable or sympathetic sociopaths. Taxi Driver is particularly important to De Niro's career; his iconic performance as Travis Bickle shot him to stardom and forever linked De Niro's name with Bickle's famous "You talkin' to me?" monologue, which De Niro largely improvised.[4] In 1976, De Niro appeared (along with Gérard Depardieu and Donald Sutherland) in Bernardo Bertolucci's epic biographical exploration of life in Italy before World War II, Novecento (1900), seen through the eyes of two Italian childhood friends at the opposite sides of society's hierarchy.

In 1978, De Niro played "Michael Vronsky" in the acclaimed Vietnam War film The Deer Hunter, for which he was nominated Best Actor in a Leading Role.

[edit] Later film career

De Niro in 1988.Praised for his commitment to roles (stemming from his background in method acting), De Niro gained 60 pounds (27 kg) and learned how to box for his portrayal of Jake LaMotta in Raging Bull; ground his teeth for Cape Fear; lived in Sicily for The Godfather, Part II; worked as a cab driver for three months for Taxi Driver; and learned to play the saxophone for New York, New York. He also put on weight and shaved his hairline to play Al Capone in The Untouchables.[citation needed]

De Niro's brand of method acting includes employing whatever extreme tactic he feels is necessary to elicit the best performance from those he is acting with. During the filming of The King of Comedy, for example, he directed a slew of anti-Semitic epithets at costar Jerry Lewis in order to enhance and authenticate the anger demonstrated by his onscreen character. According to People magazine, the technique was successful. Lewis recalled, "I forgot the cameras were there... I was going for Bobby's throat."[5]

Fearing he had become typecast in mob roles, De Niro began expanding into occasional comedic roles in the mid-1980s and has had much success there as well, with such films as Brazil (1985); the hit action-comedy Midnight Run (1988), Showtime (2002), opposite Eddie Murphy; the film-and-sequel pairs Analyze This (1999) and Analyze That (2002), both opposite actor/comedian Billy Crystal, Meet the Parents (2000) and Meet the Fockers (2004), both opposite Ben Stiller.

Other films include Falling in Love (1984), The Mission (1986), Angel Heart (1987), The Untouchables (1987), Goodfellas (1990), Awakenings (1990), Heat (1995), The Fan (1996), Sleepers (1996), Wag the Dog (1997), Jackie Brown and Ronin (1998). In 1997, he reteamed with Harvey Keitel and Ray Liotta along with Sylvester Stallone in the crime drama Cop Land. De Niro played a supporting role, taking a back seat to Stallone, Keitel, and Liotta.

In 1993 he also starred in This Boy's Life, featuring then-rising child actors Leonardo DiCaprio and Tobey Maguire. Around this time, he was offered the role of Mitch Leary in In the Line of Fire opposite Clint Eastwood, but he turned the role down in favor of John Malkovich (who received an Academy Award nomination for the role) due to scheduling conflicts with A Bronx Tale. De Niro would later reference In the Line of Fire (along with Dirty Harry and Magnum Force, two more of Eastwood's films) in Righteous Kill.

In 1995, De Niro starred in Michael Mann's police action-thriller Heat, along with fellow actor and long-time friend, Al Pacino. The duo drew much attention from fans, as both have generally been compared throughout their careers. Though both Pacino and De Niro starred in The Godfather, Part II, they shared no screen time. De Niro and Pacino once again appeared in a film together, in the crime thriller Righteous Kill.[6]

In 2004, De Niro provided the voice of Don Lino, the antagonist in the animated film Shark Tale, opposite Will Smith. He also reprised his role as Jack Byrnes in Meet the Fockers, and was featured in Stardust. All films were successful at the box office but received mixed reviews. When promoting Shark Tale, De Niro said that was his first experience with voice acting, which he commented was an enjoyable time.

De Niro with Matt Damon in Berlin in February 2007 for the premiere of The Good ShepherdDe Niro had to turn down a role in The Departed (Martin Sheen taking the role instead) due to commitments with preparing The Good Shepherd. He said "I wanted to. I wish I could've been able to, but I was preparing The Good Shepherd so much that I couldn't take the time to. I was trying to figure a way to do it while I was preparing. It just didn't seem possible."[7]

He directed The Good Shepherd (2006), and costarred with Matt Damon and Angelina Jolie. The movie also reunited him onscreen with Joe Pesci, with whom De Niro had starred in Raging Bull, Goodfellas, A Bronx Tale, Once Upon A Time In America and Casino.

In June 2006, it was announced that De Niro had donated his film archive — including scripts, costumes, and props — to the Harry Ransom Center at The University of Texas at Austin. On April 27, 2009, it was announced that the De Niro collection at the Ransom Center was open to researchers and the public. De Niro has said that he is working with Martin Scorsese on a new project. "I'm trying to actually work... [screenwriter] Eric Roth and myself and Marty are working on a script now, trying to get it done."[7]

De Niro has won two Academy Awards: Best Actor for his role in Raging Bull, and Best Supporting Actor for The Godfather, Part II.

De Niro and Marlon Brando are the only actors who won Academy Awards for portraying the same character: Brando won for playing the elderly Don Vito Corleone (though he declined the award) in The Godfather, while De Niro later won the award for playing the young Vito in The Godfather, Part II. Brando and De Niro came together onscreen for the only time in The Score (2001). De Niro actually auditioned for the role of Sonny in the first Godfather film,[8] but the role was given to James Caan. When The Godfather, Part II was in preproduction, the director, Francis Ford Coppola, remembered De Niro's audition and cast him to play the young Vito Corleone. De Niro is one of only five people to win an Academy Award for working in a foreign language, as he almost exclusively spoke Italian, with very few phrases in English.

De Niro is acting in the role of a mobster in Paramount Pictures' upcoming movie, Frankie Machine. He announced that he would appear in Martin Campbell's film version of the classic BBC crime series Edge of Darkness in 2010 alongside Mel Gibson, but, just after he arrived to begin shooting, De Niro walked from the set due to creative differences.[9] He was then replaced by Ray Winstone.[10]

[edit] Film director

In 1993, De Niro made his directorial debut with A Bronx Tale. The film, written by Chazz Palminteri, was about Palminteri's turbulent childhood in the Bronx. De Niro agreed to direct the film after seeing Palminteri's one-man off-Broadway play. De Niro also played Lorenzo, the bus driver who struggles to keep his son away from local mobster Sonny, played by Palminteri.

De Niro hadn't directed another film until 2006's The Good Shepherd, which starred Matt Damon and Angelina Jolie. The Good Shepherd depicts the origins of the CIA, with Damon portraying one of the top counter-intelligence agents during World War II and the Cold War. De Niro has a small role as General Bill Donovan, who recruits Damon's character into the world of counter-intelligence.

[edit] Recent projects

CBS has made a deal with Tribeca Productions to develop three pilots that will be executive produced by Tribeca partners Robert De Niro and Jane Rosenthal. The deal gives Tribeca a guarantee that one of the three projects will be produced as a series pilot. The first project, to be produced in partnership by Media Rights Capital, is an hourlong pilot that will be written by William Monahan, the Oscar-winning writer of The Departed who will make his first foray into TV with an untitled drama set in New York.

Monahan, who recently scripted Body of Lies and Edge of Darkness, is writing the pilot targeted for the Eye's fall 2009 sked. Rosenthal wouldn't reveal the subject matter.

Tribeca continues to develop Little Fockers and The Undomestic Goddess for Universal Pictures, and Frankie Machine at Paramount, with Michael Mann attached to direct and De Niro to star.[11]

[edit] Personal life

De Niro, who lives in New York City, has been investing in the TriBeCa neighborhood in lower Manhattan since 1989. His capital ventures have included cofounding the film studio TriBeCa Productions; the popular TriBeCa Film Festival; Nobu and TriBeCa Grill, which he co-owns with Paul Wallace and Broadway producer Stewart F. Lane,[12] The Greenwich Hotel,[13] located in Tribeca, and the restaurant inside the hotel, Locanda Verde, formally known as Ago, which is run by executive chef and co-owner, Andrew Carmellini.[14]

In 1997, De Niro married his second wife, Grace Hightower (a former flight attendant), at their estate near Marbletown in upstate New York (De Niro also has residences on the east and west sides of Manhattan). Their son Elliot was born in 1998.

In addition to Elliot, De Niro has a son, Raphael, a former actor who now works in New York real estate[15] with first wife Diahnne Abbott. He also adopted Abbott's daughter (from a previous relationship), Drena. In addition, he has twin sons, Julian Henry and Aaron Kendrick (conceived by in vitro fertilization and delivered by a surrogate mother in 1995), from a long-term live-in relationship with former model Toukie Smith.[citation needed] All of De Niro's partners have been African Americans.

In February 1998, during a film shoot in France, he was taken in for questioning by French police for nine hours and was then questioned by a magistrate over a prostitution ring. De Niro denied any involvement, saying that he had never paid for sex, "...and even if I had, it wouldn't have been a crime."[16] The magistrate wanted to speak to him after his name was mentioned by one of the call girls. In an interview with the French newspaper Le Monde, he said, "I will never return to France. I will advise my friends against going to France," and he would "send your Legion of Honor back to the ambassador, as soon as possible." French judicial sources say the actor is regarded as a potential witness, not a suspect.

De Niro was due to be granted with Italian citizenship at the Venice Film Festival in September 2004. However, the Sons of Italy lodged a protest with Italian Prime Minister Silvio Berlusconi, claiming De Niro had damaged the image of Italians and Italian-Americans by frequently portraying them in criminal roles. Culture Minister Giuliano Urbani dismissed the objections, and the ceremony was rescheduled to go forward in Rome in October. Controversy flared again when De Niro failed to show for two media appearances in Italy that month, which De Niro blamed on "serious communication problems" that weren't "handled properly" on his end, stating, "The last thing I would want to do is offend anyone. I love Italy." The citizenship was conferred on De Niro on October 21, 2006, during the finale of the Rome Film Festival. De Niro is registered in the electoral district of Molise, the Italian homeland of his great-grandparents.

De Niro is a supporter of the Democratic Party, and vocally supported Al Gore in the 2000 presidential election. De Niro publicly supported John Kerry in the 2004 presidential election. In 1998, he lobbied Congress against impeaching President Bill Clinton.[17] De Niro also narrated 9/11, a documentary about the September 11, 2001 attacks, shown on CBS and centering on video footage made by Jules and Gedeon Naudet that focused on the role of firefighters following the attacks. While promoting his movie The Good Shepherd with co-star Matt Damon on the December 8, 2006 episode of Hardball with Chris Matthews at George Mason University, De Niro was asked whom he would like to see as President of the United States. De Niro responded, "Well, I think of two people: Hillary Clinton and Obama." On February 4, 2008, De Niro supported Obama at a rally at the Izod Center in New Jersey before Super Tuesday.[18]

[edit] Filmography

For more details on this topic, see Robert De Niro filmography.

[edit] Awards and nominations

For more details on this topic, see List of Robert De Niro awards.

[edit] Academy Award

Won: Best Supporting Actor, The Godfather, Part II (1974)

Nominated: Best Actor, Taxi Driver (1976)

Nominated: Best Actor, The Deer Hunter (1978)

Won: Best Actor, Raging Bull (1980)

Nominated: Best Actor, Awakenings (1990)

Nominated: Best Actor, Cape Fear (1991)

[edit] BAFTA Award

Nominated: Best Newcomer, The Godfather, Part II (1974)

Nominated: Best Actor, Taxi Driver (1976)

Nominated: Best Actor, The Deer Hunter (1980)

Nominated: Best Actor, Raging Bull (1982)

Nominated: Best Actor, The King of Comedy (1984)

Nominated: Best Actor, Goodfellas (1990)

[edit] Golden Globe Award

Nominated: Best Actor - Motion Picture , Taxi Driver (1976)

Nominated: Best Actor - Motion Picture Musical/Comedy, New York, New York (1978)

Nominated: Best Actor - Motion Picture Drama, The Deer Hunter (1979)

Won: Best Actor - Motion Picture Drama, Raging Bull (1980)

Nominated: Best Actor - Motion Picture Musical/Comedy, Midnight Run (1989)

Nominated: Best Actor - Motion Picture Drama, Cape Fear (1991)

Nominated: Best Actor - Motion Picture Musical/Comedy, Analyze This (2000)

Nominated: Best Actor - Motion Picture Musical/Comedy, Meet the Parents (2002)

[edit] References

Wikiquote has a collection of quotations related to: Robert De Niro

Wikimedia Commons has media related to: Robert De Niro

^ "Robert De Niro Biography (1943-)". filmreference.com. . Retrieved August 20 2007.

^ "Famous people from Molise". deliciousitaly.com. ;regione_id=1. Retrieved August 20 2007.

^ "De Niro's part-Irish Ancestors". Genealogy. . Retrieved July 08 2008.

^ "'There was a sense of exhilaration about what we had done'". guardian.co.uk. .

^ "People Magazine". docs.google.com. . Retrieved August 20 2007.

^ "De Niro, Pacino reunite for 'Kill'". variety.com. ;jump=storyid=1061articleid=VR1117965130cs=1. Retrieved 2008-08-20.

^ a b Graham, Jamie (2007-03). "The Total Film Interview". Total Film (125): 105.

^ The Godfather Family: A Look Inside (1990 documentary)